Showing posts with label Must be the Music. Show all posts
Showing posts with label Must be the Music. Show all posts

Saturday, 21 April 2012

The Voice UK

People who know me (or follow my Twitter stream) will be aware that I get sucked into watching various talent shows. Last year, despite my protestations that I really didn't want to commit to 3 months worth of The X Factor, I ended up following it all the way through - and was a particular champion of Misha B.

But The X Factor is a circus with a variety of acts, some of which are designed merely to amuse, some of which are cruelly taunted. For every Misha B, there's a Jedward or Ceri Reeves*. As TV singing contests go, though, it has limited competition.

A couple of years ago, Sky had a go with Must Be The Music (won by Emma's Imagination). This was a different type of show: open to singer-songwriters and bands in all genres and judged by credible musicians (a route The X Factor has subsequently gone down to some extent). Unfortunately, Sky axed it after just one series.

Now, the Beeb has got in on the act with The Voice UK and I'm hooked. The format is simple but effective: The initial audition stages are blind with the Judges' chairs turned away from the performers. Over the course of the auditions, each judge builds up a team of 10 singers - choosing whether they want to work with an act based on what they hear. Should more than one judge turn round, the act has the choice over who to work with.

There are importantly differences with The X Factor - firstly, all the acts can actually sing. The format simply wouldn't work with novelty acts so contestants have been pre-screened/scouted to provide a certain level of talent/interest. This means that the tone of the judges feedback is more constructive & positive and less crtitical or abusive than some of the unfortunates on The X Factor are subjected to.

Secondly, the line up of judges can, fairly, be described as stellar - Sir Tom Jones (no description necessary!), Jessie J (singer-songwriter, Brit School Alumni and very "current"), will.i.am (Songwriter, Producer and star of Black Eyed Peas) and Danny O'Donoghue (singer-songwriter and lead singer in Irish band The Script). The X Factor may have been able to boast a line up of artists (plus Louis Walsh) last year, but this was a first for them.

Thirdly, the judges all genuinely seem to get on. There may be occasional skirmishes (and possibly more as the show moves towards its latter stages) but in the audition rounds, they were encouraging each other to turn round to see acts - either once they had turned round themselves or if they thought an act better suited to another judge's skills or team.

Fourth, the dynamics between the judges changed over the course of the audition shows as they gradually filled up their teams of ten and became more focused on finding acts that differed from the ones they already had. A typical exchange would be: "Turn round!" "I can't, I've already got two that are similar to him - you should, though"

Finally, although the audition shows were more chronologically linear than those on The X Factor, the judges all wore the same for each show - meaning you weren't distracted by changing hairstyles and outfits and (subconsciously?) reinforcing the impression that this was about the acts not the judges.

Tonight the show moves to its next stage - Battles. Each judge will have their acts reduced from 10 to 5 through a series of Vocal Duets. It's another innovation and looks intriguing.

It's fair to say I'm a fan of the show and it's format. Even with Reggie Yates and Holly Willoughby, neither of whom I'm a particular fan of. (So far, their on screen presence has been minimal and their voiceovers haven't been too excitable).

For all its novelty, The Voice is a back to basics Talent show. By which I mean it's actually about Talent, as well as Show.

Andrew

I had intended this post as the first of four today featuring each of the judges - I seem to have wittered on, so two more posts will follow later, with two tomorrow!

*This link is to The Sun

Thursday, 25 November 2010

Must be Emma's Imagination

Earlier this year I blogged about the fantastic Must be the Music. While 12 million people (of which I am one) regularly tune into The X Factor for it's light entertainment and manufactured drama with a bit of singing thrown in, Sky's talent show focused on talent. All genres of music were represented from classical to electronic dance, pop to rock. Almost all the artist performed original material and the panel (Dizzee Rascal, Jamie Cullum and Sharleen Spiteri) were all multi-million selling singer-songwriters.

Semi-finalists received the net profits of the iTunes releases of their performances - a number of which charted. The winner received £100,000 to further their career and that is what Emma Gillespie is doing. Her first full single is released on January 2nd with her album out later that month. Here's the brand spanking new video for "This Day":


Andrew

Tuesday, 9 November 2010

Search Me

The list below is taken from my Google Analytics report on the top search terms used to reach my blog, since records began in August last year:


As you can see, the most common search was for Gareth Thomas the former Rugby Union player (and Welsh captain) who now plays Rugby League for the Celtic Crusaders. I'd like to think that visits are generated by the quality of my post about the Rugby Football League fining Castleford Tigers for homophobic abuse leveled at Thomas... but I think it has more to do with this picture:


The next search term is the one I'm most pleased with. Other than those who regularly leave comments, or whom you know personally, it can be difficult, even with the aid of various statistics, to know if anyone is that bothered with what you write. Having people search specifically for "oneexwidow blog" is very satisfying!

I used to feature a lot of poetry here, although this has fallen by the wayside a bit recently. Carol Ann Duffy's piece "Warming Her Pearls" seems to be popular - perhaps it is a set poem for pupils studying English...

Must be the Music was Sky's answer to The X-Factor but with less karaoke and preening by the judges and more genuine songwriting and musical talent. I'm looking forward to hearing more of the winner, Emma's Imagination.

The fifth most common search term finds my review of Christopher Nolan's film, Inception. I loved this intelligent take on the Sci-Fi genre.

So that's the top 5 for now... What will it be like in another 15 months time?

Andrew

Monday, 16 August 2010

Must be the Music

As most people know, I'm a bit of a fan of reality TV shows, although I don't watch them indiscriminately. With most, a healthy dose of cynicism is required. There's always an element of pantomime in such shows, and hyperbole is rife.

Last night, Sky's new talent show "Must be the Music" started. Heavily billed (as was Five's lacklustre "Don't Stop Believing") as being a different type of talent show which was less about the judges and all about the acts, it had a lot of it's own hype to live up to. Did it succeed?

Yes, I think it did. The programme's unique selling point is that it is open to Singer-Songwriters, Bands and  Musicians irrespective of age or genre. Artists can perform a cover version or their own material. In fact, unlike singing contests such as The X Factor, original material is positively encouraged. After the acts perform the votes judges' decisions are announced before with the feedback following rather than having a long drawn out section during which the judges comment and then vote.

The biggest difference, though, is that although the show isn't about the judges in a sense it is. All the publicity material has featured pictures of the three judges - Dizzee Rascal, Jamie Cullum and Sharleen Spiteri. All three have reached the top as Singer-Songwriters and Performance and been rewarded with both commercial and critical success - including (variously) the Mercury prize, Brits and Ivor Novello awards. As such, their feedback carries more weight than it would if they were, say, a pop artist and is more empathetic than that of a producer who is interested in the commercial potential.

Having high profile judges is also a reason to watch the show. Without the involvement of Spiteri, I think this would have passed me by. As it happens I'm glad I didn't. Earlier this year Sky has a big success with Got to Dance - with Must be the Music they've done it again.




Andrew

P.S. Don't get me wrong, when The X Factor recommences next Saturday, I'll be cheering and booing along with the best of them!